Anticipation is rapidly building around Play It Loud, the new Ugandan streaming platform set to launch on 10th December, after a wave of high-profile creator signings quietly surfaced across social media, hinting at one of the most ambitious digital entertainment rollouts the region has seen.
Over recent weeks, online posts, teaser clips and behind-the-scenes footage have revealed a steady stream of major personalities aligning with the platform, among them Katrina Nilzero, Bad Black, Mami Deb, Tindi, Edwin Mukalazi, Natasha Sinayobye, Prim Asiimwe, Anne Kansiime, Azeezah, Evelyn Mic, Pablo, Troy Kente, Faisal, Kingsley, Marijan, Patra, Brian Ahumuza (Abryanz), Kato Katende, Akelly, Ken Katuramu, Ken Kayongo, DJ Vee, Keith Malembe, Diana Kahunde, Eyo Mackus, Stella Nantumbwe, Comedy Store, Zari, Navio and others yet to be formally unveiled.
READ ALSO
Joshua Baraka’s “B’raka Land” Concert Delivers a Fresh Wave of Energy as Bell Citrus Relaunches
Baraka to Take Fans Into “B’raka Land” With His Maiden Concert this Saturday
The calibre and sheer diversity of creators involved has fuelled industry speculation that Play It Loud is preparing to enter the market with significant weight and long-term vision.
Although the platform has not yet released its full roster, the pattern of signings has already triggered debates about what this might mean for Uganda’s place within Africa’s broader digital economy. Many observers note that such an aggressive, creator-driven strategy signals a shift from the traditional dependence on brand deals and limited platform visibility toward a new model where African creators can own their content, build long-term intellectual property, monetise at scale and connect authentically with global audiences.

With so many prominent personalities choosing to partner with the platform even before its official debut, industry analysts believe Uganda may be positioning itself as a serious contender in shaping Africa’s next wave of digital storytelling.
The move also reflects a growing appetite on the continent for locally powered platforms that prioritise African voices, professional production, sustainable revenue models and ownership of creative output. In an industry where creators have often struggled for structural support, the momentum surrounding Play It Loud has been viewed as evidence of a new creative economy forming in real time — one where Ugandan talent is taking control of how its stories are packaged, distributed and commercialised.

Play It Loud’s Commercial and Strategy Lead, Shafik Nekambuza, underscored this vision, saying, “We didn’t just build a streaming platform, we built an economic engine for creators. Play It Loud is a creator-first platform designed to help African storytellers produce great content, build bankable intellectual property, and connect their stories to the rest of the world. For the first time, creators are not just contributors — they are partners in the ecosystem.” His remarks echo the sentiment shared by many of the creators who have already signed on, who argue that the platform arrives at a defining moment when African content must evolve from being consumed to being exported with confidence and scale.

With its official launch scheduled for Wednesday, the 10th of December, attention has now turned to what the platform will reveal and how it plans to leverage the influential network it has built in silence. The controlled secrecy of the rollout, the strategic timing and the star-studded signings have contributed to a sense that something larger than a standard app release is underway. The growing question across the entertainment community is why so many established names are gravitating toward Play It Loud, and what this surge of early signings suggests about what is coming on launch day.

What is certain is that the platform’s arrival has already reshaped expectations within Uganda’s creative sector. If this many leading creators have committed before the platform even goes live, the launch is widely expected to mark a pivotal moment not only for Uganda’s entertainment industry but also for Africa’s digital narrative at large — signaling that a new era of homegrown, creator-powered streaming may be taking shape, with Uganda boldly stepping forward to lead the way.

