In the relentless scroll of Instagram Reels and TikTok feeds, where every beat and body earns a shot at virality, one video landed on Monday afternoon.
A dancer known only by his handle, Basset, stirring, confident, unfiltered, posted a reel with a message that slapped hard: Let’s say Basset was disrespectful in many ways that tongues started wagging in different collective groups.
“Some of you are not even dancing, it is the filters, the cuts and editing,” The video was short and precise but the message was sent and received, the comment section started buzzing and as expected, names were dropped.
From mainstream dancers such as Dance Mamweta, DVD Afro, Ken Moves and others were fronted as possible contenders, there were those who seemed to dismiss the dancer altogether but within groups and direct chats, there was more fire and ashes.
For years social media has turned dance into a new cultural battleground. What began as people sharing steps for fun has evolved into an arena where followers become currency, likes become proof of relevance, and authenticity is the hidden stake.
The reel in question didn’t just accuse TikTok and Instagram dancers of surface-level trend chasing, it questioned what they bring to the table and somehow, Basset, who many may have seen on different stages around Kampala, questioned their credentials.
At the heart of this cultural moment is a deeper tension rooted in the way dance trends spread on these platforms. Viral choreography often starts with originators, creators who spend hours crafting steps and posting first, only to see those routines popularized by others with bigger followings or polished aesthetics.
That dynamic has sparked real pushback before; in 2021 Black TikTok dance creators launched the #BlackTikTokStrike to protest the lack of credit and recognition for their work as viral routines continued to be reposted without attribution.
By presstime, Mayani, who has quite a following on social media had responded to the challenge; famed for his Amapiano moves on both TikTok and Instagram, he has such a following that when the call out was uploaded, it was natural for many people to tag him.
Mayani in his response said he is ready for anyone who wants to battle him and all they have to do is name the place and time and he will turn up with his crew.
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After a back and forth, the drama was confirmed to go down on Wednesday night at the yard in front of the Wandegeya Market.
While appearing on NRG this morning, Basset said he’s doing this because the culture needs it.
“People need to see us dance, show off skills and face off often,” he says.
Over the years, rappers have been known to challenge each other for the throne through diss songs, globally many still remember the rap battle between Kendrick Lamar and Drake which ended with the blockbuster, Not Like Us.Dance is more than physical movement, it’s cultural expression. In the African diaspora and across global communities, dance has always been a language: of joy, identity, resistance, and history. On social media, that heritage now collides with algorithmic fame. TikTok and Instagram don’t just show dances, they frame who gets seen, who gets heard, and whose creativity is valued.
